About

Troupe of the comediants
“Mr. PEZO’s Wandering Dolls”

Do NOT do:
Do NOT show striptise

Do NOT play on Stanislavski system

NOT linger without business in big tall puppets
Do:
The perfomances, in which amusing and horrible, strange and attractive MASKS entertain dear public: by mysterious stories, fights with the real swords, ancient dances, draws and tricks in the best traditions of European Carnival.

Hi.

“Mr Pezho’s wandering dolls” is a carnival theatre.

It not plays carnival, itis born from it. It not assorts performances on various numbers and games, but on the contrary, playing, improvising on holidays, creates performances. Our perfomances are caused to life not by will of the director, they grow, develop and are formed in the independent phenomenon, where the director simply cleans superfluous and makes a plot.

So has developed historically… Look a History.

The holiday for us is that environment of the life, where as on yeast the perfomance is started and grows.

- Universalism of the medieval actors is a basis of life. The actor should be able to do as more as better.

- Mask. Inalienable compound of the carnival. Grotesque. Bourlesque. Strange. Awful. Ridiculous. That is capable to surprise and to punch that impenetrable environment, into which has packed itself the majority of the modern people. People do not hesitate the masks. It (mask) is not the man. It draws and pushes away, that is breake a stable steadiness of a stereotype. But in a mask it is necessary to be able to play.

- Anima-actor. (Anima – soul) Ability to recover inanimate (mask, doll, the subject) is a trade.

- Interaction playing. Game with public. “Once, I coming to the big store, was frightened by plump lady in a bright costume with the ornamented face, who jumped out from out the case has shouted loudly – “shall we play?”.

We play not so. Look Interactive playing.

The anima-actor is an extreme game. Game without theatre, for carnival offers the system of reserves, where there is no division into the actors and spectators. It is a severe mode of the improvisation, immediate reactions, development of new vital space, transformation it in a game zone. It is school of gesture and mime dialogue, absurd logic, rules created by the way, and a constant touch to small storehouse, where each man keep his childhood.

Something
about
Mr. PEZO